Art Calendar

This issue introduces a new annual format for the Leeds Arts Calendar, featuring in-depth articles on significant acquisitions, conservation projects and people connected with Leeds Museums and Galleries. Highlights include Yinka Shonibare’s Hibiscus Rising, the acquisition and conservation of a rare Regency Chinoiserie furniture suite from Ombersley Court for Temple Newsam, and tributes to former […]

This issue features the acquisition of the “Iris Barry Seated” drawing by Wyndham Lewis, shedding light on its historical significance and the artist’s inspiration. Additionally, the newsletter discusses the creation of the Sculpture Garden at Thirsk Hall, initiated by the Bell family, and the role of contemporary visual artists in shaping gallery spaces. The Leeds Art Fund’s support for acquisitions like “Iris Barry Seated” and Lady Reading demonstrates its commitment to enriching the local art community.

This issue showcases the thought-provoking “The Weight of Words” exhibition at the Henry Moore Institute, where contemporary artists and writers creatively explore the fusion of poetry and sculpture. Additionally, the newsletter celebrates Sonia Boyce’s acclaimed installation “Feeling Her Way” at Leeds Art Gallery, which recently received the prestigious Golden Lion Award at the Venice International Art Exhibition. In terms of recent developments, the newsletter highlights the return of the historic carpet to Temple Newsam’s Oak Corridor, thanks to a grant from the LAF. It also introduces Dr. Clare Nadal, the newly appointed Assistant Curator, Sculpture at Leeds Museums & Galleries, who will contribute to the ongoing development and care of the sculpture collection.

The Leeds Art Fund newsletter Issue 21 provides updates on recent acquisitions, collections, reviews, and events supporting Leeds art galleries. Highlights include Catherine Bertola’s installation “Below the Salt” at Temple Newsam, which recreates a historic linen tablecloth pattern using table salt. The acquisition was supported by the ACE/V&A Purchase Grant Fund and the Leeds Art Fund. Additionally, new Galton archive material has enriched Lotherton Hall’s collection. The newsletter also features upcoming events, such as artist talks, studio tours, and exhibitions, showcasing the vibrant arts scene in Leeds.

This issue includes details about upcoming events such as lectures, film screenings, and visits to cultural sites like Sunny Bank Mills. Additionally, the newsletter features articles on artworks like “Reflections on the Aire – on strike” by John Atkinson Grimshaw and highlights the contributions of individuals like Stephen Wood to the art community. The document also mentions ongoing projects like the Archive Lives exhibition, showcasing women’s sculptural practices in Britain from 1963 to 1993.

In the Autumn 2021 issue of the Leeds Art Fund Newsletter, significant updates were provided regarding the restoration project of Sir George Frampton’s bronze figure of Industry on the Queen Victoria Memorial in Woodhouse Moor, Leeds. The fundraising campaign to restore the damaged figure, which was dislodged in 1986, commenced in memory of former Chair Ben Read. The restoration aims to preserve one of Leeds’ most important public monuments, a Grade II* listed structure that has been on Historic England’s Heritage at Risk Register. The memorial, unveiled in 1905, features a bronze figure of Queen Victoria in Coronation robes, flanked by allegorical figures of Peace and Industry. The Industry figure, a contemporary male representation surrounded by tools and machinery, is a departure from traditional Victorian female allegories of industry. The restoration project highlights the historical and artistic significance of this iconic monument in Leeds.

Notable features in this issue include Andy Holden’s thought-provoking installation “How the Artist was led to the Study of Nature,” which replicates an illegal egg hoard and raises awareness about wildlife crime. Additionally, the newsletter discusses the acquisition of drawings by Sheila Bownas, a Yorkshire designer whose work had been underappreciated until recently. The newsletter also announces upcoming events, such as talks by speakers connected to Leeds and its collections, offering insights into diverse themes in art and culture.

In the Leeds Art Fund newsletter, Issue 16, the focus is on recent acquisitions, collections, reviews, and events related to art and culture. The newsletter highlights the history of Lady Gascoigne’s dress medals, emphasizing her service during the First World War and her contributions to the Yorkshire Voluntary Migration Committee. The acquisition of these medals adds to the ongoing efforts of repatriating objects to Lotherton Hall. Additionally, the newsletter features initiatives such as supporting emerging artists through acquisitions and promoting diversity in art collections. It also mentions upcoming events, including Zoom talks by distinguished speakers in the art world.

This issue features visits to galleries like Nottingham Contemporary and the University of Leeds Art Walk, showcasing works by artists such as Mitzi Cunliffe and Liliane Lijn. The newsletter also pays tribute to Patrick Walker, a significant figure in the art community. Additionally, it mentions recent acquisitions, including the bequest from Edith Mary Lill, and upcoming events like the Annual General Meeting and lectures on artists like Barbara Hepworth and Alexander Calder. Changes in the LAF events team are also noted, with Sue Page stepping down and Olivia Stross joining. The newsletter provides insights into exhibitions like “Inspiration to Genius” at Lotherton Hall, celebrating Florence Nightingale’s legacy.

In this issue of the Leeds Art Fund newsletter, significant events and acquisitions are highlighted. Dr. Jeffrey Sherwin’s contributions to the arts, including his remarkable collection of British Surrealist art and support for the Leeds Craft and Design Gallery, are remembered. The Wingfield Gift to Lotherton Hall, comprising letters, legal documents, and various items, will be catalogued for research and local exhibitions. Additionally, upcoming events such as the Yorkshire Sculpture International and visits to art institutions like Sir John Soane’s Museum and Nottingham Contemporary are featured. The newsletter also calls for a new Events Secretary for the LAF to organize art-related activities in Leeds.

This issue describes the life and artistic journey of the painter Ibbetson. He travelled through Wales and North Wales, recording new industries and incidents like preventing a carriage from rolling back during a thunderstorm. Despite facing personal tragedies, financial difficulties, and disappointments in his career, he continued to exhibit at the Royal Academy, undertook book illustrations, and worked on murals.

This issue contains information related to a television film titled “Portrait or Bust” written and presented by Alan Bennett, first broadcast on BBC Television in Easter 1994. The film was commissioned by BBC South from Scorer Associates, Bristol. The production involved various individuals such as photographers, sound technicians, editors, researchers, and producers. Leeds City Art Galleries expressed gratitude to the BBC and Scorer Associates for granting permission on photographic rights. The text also mentions credits for photography and lenders to the exhibition. Additionally, it includes a description of a painting depicting the aftermath of a great battle, with a focus on a bold woman comforting the wounded. It also references Walter Richard Sickert and provides a narrative set in Leeds during 1942, involving a school visit to an art exhibition.

In 1993, the Leeds City Council allocated additional funds from its Centenary budget to support three significant exhibitions as part of the city’s celebrations. The first exhibition showcased the works of local pre-Raphaelite landscape artist John William Inchbold, marking the first dedicated show to him since his death in 1888. Another exhibition featured early-Georgian furniture with intricate embellishments, opened at Temple Newsam and later at the Victoria and Albert Museum. Additionally, a major project titled “Herbert Read: A British Vision of World Art” was launched, paying tribute to the renowned art critic. The Calendar publication focused on the Ingram dynasty of Temple Newsam, led by Hugh, who reconstructed the Tudor House in the early 1800s.

This issue provides detailed information about the history and renovations of Temple Newsam House, focusing on specific rooms and architectural changes made over the years. It mentions the alterations done by Arthur Ingram, including the reduction of the fireplace size, addition of a chimneypiece and wooden overmantel, and the decoration of the room with flowers and leaves. It also discusses the marbling of window bay jambs and the extension of the Blue Damask Room in Jacobean times. Additionally, it highlights the artistic interests of Atkinson Grimshaw and his works reflecting social realist themes.

This issue celebrates a significant addition to Leeds’ public art collections through the Professor Robert Holmes Bequest, showcasing a remarkable selection of twentieth-century drawings, paintings and sculpture. Alongside an exploration of the bequest and its artists, it includes updates on Leeds Art Collections Fund activities, acquisitions, conservation projects and exhibitions at Temple Newsam and Leeds […]

This issue discusses the Commemoration of Individuals. The committee is considering ways to commemorate the contributions of Bill Oliver, Sara Gilchrist, and Stanley Burton. It has been decided to associate Bill Oliver’s name with a painting acquired the previous year and to receive a portrait of him as a memorial gift. Sara Gilchrist will be linked with an oil painting by Alfred Wallis donated by Cyril Reddihough. Plans are underway to consult with the Burton family for an appropriate way to mark Stanley Burton’s connection with the LACF. There is also a mention of the establishment of a foundation at Burton Constable Hall near Hull for the well-being of the site. The foundation will involve the Director and a senior colleague as ex-officio Trustees and will cover the expenses incurred by Keepers and Conservators in their curatorial roles.

This issue discusses Henry Moore’s artistic influences, including his use of simple shapes to depict reality, his relationship between sculpted figures and landscape, and his humanistic approach to portraying the human form. Moore’s experiences in London, Paris, and Florence significantly influenced his artistic style. Henry Moore’s visit to Florence and exposure to artworks by Masaccio and Giotto had a profound impact on his artistic development. Moore was particularly impressed by the monumental grandeur of the figures he encountered, which influenced his own sculpture at the time.

This issue mentions the annual income generated from book sales that benefits the LACF and highlights the upcoming publication of a comprehensive catalogue of English Silver. The document also notes recent staff changes and contributions towards acquiring a marble table. Additionally, it provides insights into the history and changes at Temple Newsam, including details about the Victorian Dining Room and the Medal Room. The file offers glimpses into the Gascoigne family’s activities and events at Lotherton Hall, emphasizing the cultural significance of the estate.

This issue discusses the lavish hospitality of Sir Arthur Ingram during the royal court’s visit to York in 1639, highlighting the grandeur of his household expenses and the impressive entertainment provided. Additionally, it delves into the quality of engravings on silver pieces, such as those featuring the arms of Ingram impaling Howard for Rich, with intricate Baroque designs and references to historical events. The narrative also touches on the craftsmanship of Joseph Sympson, a lesser-known engraver, and his contributions to decorative pieces. Furthermore, it mentions gaps in the silver collections at Temple Newsam, such as the absence of certain types of silver items that would have been customary for individuals of rank during the 17th and 18th centuries.

This issue discusses the restoration of Temple Newsam. It discusses the layout of the house, including the courtyard, gatehouse, screens passage, Hall, buttery, pantries, and kitchen. It also mentions the reconstruction efforts in the 17th century by Sir Arthur Ingram and the subsequent modifications to the Great Chamber. Additionally, it describes the restoration work done in the 20th century, including the re-erection of original elements like the overmantel and Regency lampstands. Furthermore, it touches upon the architectural features of the Hall, including the asymmetrical layout due to Adam’s design, classical decorations, and mahogany hall-chairs possibly made by Thomas Chippendale the younger.

This issue mentions the seventy-fifth anniversary exhibition showcasing selected additions to the City’s collections made with the aid of the Fund. The exhibition features items in the Henry Moore Gallery, primarily focusing on pictures and sculptures. It emphasises the importance of the accompanying catalogue, which covers all Fund-related items in the City’s collections and will be used for future record-keeping.

This issue discusses the refurbishment program at Temple Newsam, that is progressing well, with the ground floor of the south wing expected to be completed by the year’s end. Updates on the restoration of historic interiors are promised in future issues of the Calendar. Additionally, it discusses the successful preservation of twenty Turner watercolours of birds from the Farnley Hall collection, thanks to the LACF’s involvement. A sponsorship of £12,000 from Hepworth R Chadwick and a matching award from the government enabled the publication of these watercolours in a high-quality, full-colour format.

This issue mentions a fundraising campaign to save a valuable silver centrepiece crafted by David Willaume and Anne Tanqueray in 1731, engraved with the armorials of Cholmley Turner. It acknowledges the contributions of various organizations and individuals, including the National Heritage Memorial Fund, The Goldsmiths’ Company, and the Brigadier Hargreaves Charitable Trust, towards the purchase of the artwork.

This issue contains detailed descriptions of various items found in different rooms in Temple Newsam , including furniture, decorations, and other objects. It mentions specific items such as tables, chairs, carpets, curtains, globes, stools, sofas, desks, glassware, and more, all with intricate details of materials and designs. The inventory lists a variety of mahogany furniture, japanned items, silk damask covers, and green and white check cases. Additionally, it describes the layout changes made by Lady Irwin to the south wing of the building in 1792. It also references specific types of carpets, blinds, lamps, and decorative pieces like marble slabs and vases. Each room or area mentioned in the document is meticulously catalogued with its contents, providing a comprehensive inventory of the items present in the building.

This issue mentions the history and restoration efforts at Temple Newsam, including clock collections, barometer donations, and room restoration projects. Additionally, it touches on the sale of Melton Constable, the depletion of painted furniture due to modern trends, and the importance of preserving original finishes. It also includes details about specific items such as sconces, window curtains, and jobbing book pages from Gillows. Lastly, it highlights the significance of leaving a legacy to support art collections in Leeds and the impact it can have on the arts community.

This issue provides details about various historical events, such as the rebuilding campaign at Clumber Park in 1838 and the Duke of Leeds’ visit to Birmingham. It also discusses the unpredictability of planning successful art exhibitions and the acquisition of a significant turkey-work chair at Temple Newsam. Additionally, there are references to wallpaper and room furnishings from different time periods.

This issue discusses the death of General Gordon in Khartoum in January 1885 which shocked Victorian society, as he symbolized British prestige and patriotism. Gordon’s past exploits in China and his roles as Governor of Equatoria and Governor-General of Sudan had unintentionally appealed to all classes in Victorian society. Summoned to handle the withdrawal of Egyptian troops from Khartoum, Gordon focused on defense during the siege, sending citizens down the Nile before the city fell. G. W. Joy’s painting of Gordon’s last stand in 1893 depicted a moment of encounter with the forces storming the city, based on available information at the time. The narrative of Gordon’s death as unresisting originated from Ibrahim Bey al-Burdayni, fitting the Victorian notion of Gordon as a martyr. However, conflicting versions emerged over the years, challenging the initial portrayal of Gordon’s death. Joy’s portrayal of Gordon in Royal Engineer’s undress uniform lacked contemporary evidence, reflecting the ideas of the time more than the actual events of January 26, 1885.

This issue discusses the attribution and origin of tall-stemmed glasses known as light balusters, particularly focusing on whether they are of Dutch or English origin. Initially, there was debate over whether these glasses were wholly Dutch or possibly English glasses imported into the Netherlands for engraving. Hartshorne in 1990 considered them to be wholly Dutch, placing them within the Venetian tradition. However, opinions shifted over the years, with Buckley in 1926 describing them as ‘probably English,’ despite some doubts. Thorpe later suggested they were English, specifically from Newcastle upon Tyne, based on evidence of tall-stemmed glasses decorated by William Beilby.

This issue includes images and descriptions of the layout and historical views of properties like the ‘Old House’ and the walled garden at Lotherton Hall. It mentions individuals like Michael Sheppard Esq. and Mrs. Laura Gwendolen Gascoigne, who played significant roles in the planning and development of the gardens. Descriptions and images of features like trellis work, stone urns, and the Edwardian Summer House in the walled garden are provided. The Summer House, although demolished in the 1960s, is highlighted as a significant part of the garden’s history.

This issue highlights James Parmentier, a notable decorative painter, and his contributions to the art world. Parmentier, who came to England in 1676 at the age of eighteen, spent several years in the country, with brief visits to Paris and Italy. He collaborated with other artists and worked on various projects, including painting architectural features and bas-reliefs at Montagu House in Bloomsbury.

This issue is dedicated to the history of Temple Newsam from 1699 to 1939, featuring a pictorial anthology showcasing the estate’s evolution. The publication includes interior views capturing former décor and room arrangements, with acquisitions like a Victorian watercolour of the Georgian Library and Augustus Hare’s sketch of the Long Gallery. Gratitude is expressed to contributors who allowed the reproduction of prints from their collections, including the Earl of Halifax and Richard Meynell.

This issue explores the historical landscapes of Colton and Newsam, focusing on various aspects such as settlements, manorial economy, religious presence, and changes over time. It discusses the villages of Colton and Newsam, their evolution through the Middle Ages, and the presence of arable fields, pastures, meadows, and common land in the area. It also delves into the manorial economy, including sheep farming, water mills, and a fishery in Newsam.

In the context of art and societal perceptions, the image of woman as a temptress and predator is explored. This concept is depicted through various artworks and writings, highlighting the contrast between the idealised feminine figure and the fallen woman. The portrayal of the temptress challenges traditional notions of female purity and morality, presenting a complex narrative of threat and pleasure for the male viewer. This theme is further elaborated in historical texts and artworks, emphasizing the dichotomy between the pure woman and the seductive temptress in societal constructs of femininity and sexuality.

This issue highlights Peel’s Statue in Leeds, and its significance as the first large bronze memorial to Sir Robert Peel in England. The statue’s evolution and impact on Victorian sculpture patronage and civic pride in Leeds are discussed. The document also mentions the statue’s popularity, leading to the publication of a drawing by Mr. Crane of Leicester. Concerns about the statue’s safety at its original location in the town centre were raised, leading to its relocation to a safer site in front of the Town Hall in 1896, where it stands alongside Baron Marochetti’s bronze of the Duke of Wellington.

This issue discusses the theme of creating historic country houses, which was the focus of an exhibition at Temple Newsam linked to the 6th annual Summer Seminar titled “The Making of the English Country House.” The document emphasises the importance of architecture in providing convenience, comfort, and glory to a country. It mentions Abraham Swan, an architect from the mid-eighteenth century, who viewed architecture as a significant art form that contributes to ease, comfort, and the overall glory of a nation. The exhibition and seminar aimed to explore the process of how historic country houses were developed, shedding light on the architectural and social aspects of building such structures.

This issue references the Edinburgh Phrenological Society Minute Book, various works on physiognomy, and the influence of phrenology on artists. Additionally, it mentions a plaster bust of Thomas Chalmers from 1820 and its exhibition history. The text highlights the importance of phrenology in sculptural practices and its impact on understanding human form and expression.

This issue highlights Kate Wickham, a talented artist whom created a series of six decorated porcelain tiles for Lotherton Hall, showcasing a delicate balance between fantasy and reality. Wickham’s intricate process involves shaping the clay, drawing designs, incising, carving, painting, and firing the tiles in an electric kiln. The colors used are underglaze materials and oxides, applied in layers and treated to create subtle tones and textures. Wickham’s tiles reflect a fusion of ancient and modern themes, exploring the interaction between fantasy and reality in a domestic setting. These tiles are part of a longstanding tradition of commissioning artworks for the museum, highlighting the intersection of art and functionality within the Leeds art collections.

This issue highlights P. H. Calderon. Philip Hermogenes Calderon was a prominent artist known for his historical paintings, such as “Her Most High, Noble and Puissant Grace,” which he completed in 1865. This painting, which took over a year to finish, was a critical success and was bought for $1000. Calderon’s work often featured historical and fanciful subjects, reflecting the Romantic Movement’s influence on British history painting. His attention to detail and high finish in his paintings, like “Broken Vows,” contributed to his success in the art world. Calderon’s career spanned from the 1850s to the late 19th century, during which he painted various historical and classical subjects, becoming a respected member of the Royal Academy. His artistic achievements and contributions to the art world solidified his reputation as a skilled and influential painter.

This issue highlights the painting “The Fair Nun Unmasked” by Henry Robert Morland, which is a popular piece in the collection at Temple Newsam. The painting features a beautiful young woman in a masquerade outfit, possibly portraying a nun. Originally exhibited as “A Lady in a Masquerade Habit” in 1769, the painting gained its specific title after being engraved by printseller Carington Bowles, with an inscription from Pope’s “Rape of the Lock.”

This issue delves into the historical significance of Lord Grantham’s Root House, a symbol of renewal and regeneration in society. Designed by Grantham in the 18th century, the hut is seen as a tribute to his origins and a permanent home after a life spent without a fixed residence. The document suggests that the Root House may have been a gift to Grantham’s young wife and symbolizes his establishment of roots and a sense of belonging. The Root House reflects Grantham’s return to his origins and his desire to create a lasting legacy, embodying themes of social achievement and personal fulfilment.

This issue explores pottery and other art forms, highlighting their historical, artistic, and cultural importance within the context of Leeds and beyond. “An Excavation on the Site of the Leeds Pottery” by Peter Walton: The article discusses an excavation conducted at the site of the Leeds Pottery, providing insights into the historical significance of the pottery industry in Leeds. “An Enamelled, Tin-glazed Mug at Temple Newsam House” by Alan Smith: This article focuses on a specific enamelled, tin-glazed mug found at Temple Newsam House, highlighting its historical and artistic value.

This issue discusses a new publication on furniture at Temple Newsam House and Lotherton Hall in Yorkshire, featuring 662 items from the collections of Leeds City Art Galleries with 682 illustrations in two volumes. It also mentions a prize for the best essay on history, literature, or the arts related to the City of York. Additionally, there is information about the campaign to save the Mostyn flagons and the challenges faced due to the Long Gallery ceiling collapse at Temple Newsam.

This issue provides insights into the artist Stomer. Stomer, born around 1600, likely in Holland, spent part of his youth in Utrecht and Antwerp, possibly studying under Gerrit von Honthorst. Honthorst, a prominent painter at the court of Charles I of England, was part of the Caravaggisti group, influenced by Caravaggio’s dramatic realism and use of light. It also touches upon Kirkstall Abbey, a historical site that has inspired artists and architects. Kirkstall Abbey’s architectural features, such as its moss-grown cells and grandeur, have been a subject of artistic admiration. Benjamin Henry Latrobe, an architect born near Kirkstall Abbey, highlighted the abbey’s magnificence and Gothic design influence in his work, emphasizing its beauty and historical significance.

This issue focusses on the Almshouses as a potential conservation centre for the arts. It describes the layout of the Almshouses, highlighting the workshops, special rooms, entrances, and the warden’s house, all of which could be repurposed for artistic endeavours without altering the building’s historical significance. The narrative emphasises the importance of preserving and utilizing historical buildings like the Almshouses for artistic purposes.

One notable artist featured in this issue is Diego Rivera, known for his Detroit Frescoes. Rivera, a prominent Mexican muralist, received a major commission in 1930 to paint frescoes depicting the growth of Detroit Industry at the Detroit Institute of Arts. His eclectic style, inspired by Renaissance Italian frescoes, showcased his storytelling abilities and direct appeal to celebrate humanity.

This issue discusses the restoration efforts of Temple Newsam House, emphasising the significance of preserving architectural features. Additionally, it compares artistic and stylistic similarities between Temple Newsam and Beningbrough paintings. It includes details about the financial aspects of funding art projects and the impact of administrative work on achieving artistic goals. Furthermore, it touches upon the emotional and technical aspects of art through the works of artists like Piper and Bawden.

This article mentions the acquisition of tea equipage and candelabra, as well as a large collection of early 1920s costumes and shoes. The document also highlights the departure of Emmeline Leary, a trainee assistant keeper who moved on to a position at Manchester Art Galleries. Additionally, there are references to historic events, such as the loss of Sir Edward Gascoigne in 1750, and the purchase of artworks with the assistance of the Leeds Art Collections Fund.

This issue features a cover design showcasing a pier glass made by Vile and Cobb for the East of Gosport in 1760, acquired in 1774. It provides insights into recent acquisitions by the Leeds Art Collections Fund, such as Turnerelli’s Bust of Queen Charlotte, a painting by Carlo Maratta titled “St. James the Greater,” and pieces related to nineteenth-century silver and decorative sculptors.

This issue includes information about various artistic events and exhibitions happening in Leeds. It mentions specific exhibitions such as John Elderfield’s paintings, International Mezzotints by Barry Herbert, landscape paintings by Ian Gardner and David Willetts, and paintings by Allen Barker, along with their respective exhibition dates.

This issue highlights the significant role played by the Leeds Art Fund in providing a permanent home for historical costume collections, with Lotherton being a key location for housing such artifacts. The collection at Lotherton has been enriched by new acquisitions, including a striking red dress by Bill Gibb, reflecting a commitment to expanding the range of artworks and artifacts represented in the collection.

This issue mentions the acquisition of ceramic pieces at Lotherton, including a Copeland Cabaret from around 1860 and a Derby campana-shaped vase. The document also discusses the restoration and improvement efforts at Temple Newsam, highlighting the balance between structural enhancements and visual aesthetics. Additionally, it promotes the Yorkshire Arts Association’s monthly magazine, which features artistic events and informative articles. It includes details about boundary stones at Temple Newsam and mentions the Leeds Art Collections Fund.

This issue provides information about a Yorkshire artist through seventy-nine reproductions, including many in full colour. It features contributions from prominent figures like Sir Herbert Read and Sir Michael Sadler in this limited edition publication.

This issue provides a detailed look at the arts scene in Leeds in 1972. It mentions exhibitions in the Stable Court Galleries, including one dedicated to the sculptor Joseph Gott. The document also discusses the sculpture collection at Temple Newsam and Lotherton, highlighting the focus on 19th-century sculpture. Additionally, there are references to excavations in the courtyard, plans of ancient structures, and exhibitions by traveling artists offering portrait paintings and paper silhouettes. It offers a glimpse into the vibrant arts and cultural landscape of Leeds during that time.

This issue covers topics such as newly discovered Chippendale drawings, Italian drawings in Leeds, and aspects of Nineteenth Century Sculpture in Leeds. The document also discusses various artworks and their significance, offering a glimpse into the rich artistic heritage of Leeds.

This issue features a cover design showcasing a detail of an oak panel from the Bretton Room at Temple Newsam, dating back to around 1540. It serves as an appeal to individuals interested in the arts to contribute to the Leeds Art Collections Fund and engage with the cultural offerings of the Art Gallery and Temple Newsam.

This issue includes details about various art collections, such as stoneware teapots, decorative patterns, and exhibitions at Temple Newsam and Lotherton. It highlights the appointment of a new Social Secretary and the opening of history rooms and exhibitions in different galleries.

This issue mentions various artworks and historical items such as a design for the triumphal arch at Parlington by Thomas Leverton in 1782, the hire of a harpsichord by John Broadwood in 1779, and the architectural development of the house at Parlington. Additionally, it discusses musical instruments like harpsichords and pianos, as well as an exhibition illustrating the history of Temple Newsam House. The document also touches on specific items like an armchair made by Giles Grendey for the Duke of Infantado’s Castle in Spain around 1730.

This issue mentions efforts to maintain the appearance of the gallery, developments at Temple Newsam including the conversion of the stable block into exhibition rooms, plans for a sculpture scheme, and struggles with structural issues during renovations. Additionally, it highlights the successful opening of Lotherton Hall to the public and the challenges faced in managing visitor numbers. The file also touches on the history and contents of Lotherton Hall, the installation of a new heating system at Temple Newsam, and the structural challenges encountered during the renovation process.

This issue highlights the Gascoigne family’s historical connection to Lotherton Hall, a significant gift to the city of Leeds, is highlighted. The Calendar showcases the rich heritage of Lotherton Hall, gifted by Sir Alvary and Lady Gascoigne, emphasizing its transformation into an art museum. The family’s ongoing involvement in the property’s upkeep is noted, ensuring its preservation for public enjoyment. Interested individuals are encouraged to support the Fund to contribute to the art collection’s growth and engage with the art community.

This issue delves into the process of creating proof-sketches for clients interested in artistic designs, particularly focusing on the work of Ben Batty from the firm of Kayll and Reed. It also explores the concept of form and scale in art, emphasizing the importance of understanding how different scales impact the perception of colour and line. Furthermore, it touches on the analysis of a specific painting, highlighting the challenges of describing its qualities and the self-contained nature of the artwork.

This issue discusses various topics related to art in Leeds, including the Leeds Art Calendar being microfilmed, the Leeds Art Collections Fund, the Victorian Chapel at Temple Newsam, and drawings by Francis Place in Leeds. It also mentions an exhibition called ‘Skill’ showcasing creative craftsmanship and a silver dish designed by Gerald Benney and presented by Marks and Spencer to the Lord Mayor of Leeds. The file encourages support for the arts in Leeds and highlights the importance of patronage from local industrialists and business people.

This issue provides insights into recent acquisitions, the Victorian park and garden at Temple Newsam, and the support received from various funds and benefactors. It also mentions the generous contributions of individuals like Mrs. McGrigor Phillips and the trustees of Major Fermor-Hesketh. The importance of fine art in enhancing the cultural significance of Temple Newsam is emphasised, along with the artistic impact of various acquisitions. Additionally, the issue touches upon the historical context of certain pieces and their significance in the context of a great country house.

This issue highlights the importance of public exposure of how public money is spent on art galleries and emphasises the significance of purchasing power in enriching museum collections. It also mentions specific acquisitions, such as furniture, needlework, lace, and frescoes, showcasing the efforts made to enhance the artistic wealth of the city. Financial challenges and outside help are also addressed, underscoring the importance of support from organizations like the Worshipful Company of Goldsmiths. Additionally, the issue touches upon the challenges faced during exhibitions and the positive outcomes that emerged despite financial constraints.

This issue lists notable events and exhibitions in Leeds, including those at Temple Newsam House and City Art Gallery. Events range from retrospective exhibitions of paintings to showcases of graphic arts and fine arts club exhibitions. Specific exhibitions include 19th-century architecture in Leeds, works by Dortmund artists, and Yorkshire artists’ exhibitions. The Arts Council Film Show is also mentioned as part of the calendar of events.

This issue discusses the acquisition of a valuable writing-table for Temple Newsam through the efforts of four benefactors. Three days before the sale at Christie’s, the benefactors expressed interest in buying the writing-table and presenting it to Leeds. They managed to raise funds, with one benefactor acting as a banker and another agreeing to bid at the auction. Ultimately, they successfully acquired the writing-table for Temple Newsam. The successful acquisition of the writing-table is celebrated as a historic event, with national and local media coverage. It also touches upon the challenges faced in designing objects for interiors and the importance of understanding materials and limitations in design.

This issue touches upon the acquisition of significant artworks, including a silver tureen and a library table, showcasing the efforts to preserve cultural treasures for Yorkshire. Additionally, there are references to the evolution of artistic styles, from three-dimensional objects in architectural compositions to the metamorphosis of human features into machine-like forms in artworks.

This issue discusses significant additions to the sculpture collection, such as the Henry Moore bronze Reclining Figure 1964 and a silver race cup from 1774. It also mentions the disappearance of Kenneth Armitage’s Two Standing Figures and the efforts to recover it. Additionally, it highlights the role of the Leeds Art Collections Fund in preserving artworks and preventing them from leaving the country. It includes details on architecture, decorative art, and events at the Art Gallery and Temple Newsam House. The Calendar of Events section outlines upcoming cultural activities.

This issue contains information about the Libraries and Arts Sub-Committee at the Arl Cattery and Temple Curiosa House, as well as details about the Leeds Art Collections Fund. It mentions the Festival exhibitions, particularly focusing on The Rug in Islamic Art exhibition and its successful publication. The editorial reflects on the past exhibitions and the impact of Dr. Beattie’s work. Additionally, the document discusses the nature of the Bloomsbury Group, highlighting their unconventional approach to various topics such as art, philosophy, and sex. It also touches upon criticisms of the group, including their perceived detachment from practical issues and their radical views on sexual taboos. The text provides insights into the intellectual pursuits and struggles of the group members, emphasizing their engagement in academia, writing, and public service.

This issue provides insights into the Picture-lending Scheme in Leeds, emphasising aspects like the selection process for artwork, borrower engagement, and the distinctiveness of lending collections. It also acknowledges the crucial support from the Gulbenkian Foundation and the scheme’s evolution into a thriving public service. Furthermore, the document briefly addresses the complexities of showcasing a diverse lending collection and the guidelines for choosing reproductions. Additionally, it mentions the collection’s composition, featuring contemporary works and reproductions, along with considerations regarding the inclusion of Old Master painting reproductions.

This issue the growth of the Picture-lending Scheme over two years, with an increase in the number of pictures and borrowers. It also touches upon the history and changes at Temple Newsam, including the impact of open-cast coal mining during the war. Additionally, it highlights the innovative approaches taken by the Art Gallery to engage visitors, such as creating a unique atmosphere through temperature and humidity control and using technology for artistic displays.

This issue mentions the acquisition of artworks for the Art Gallery’s collection, including pieces by Jacob Kramer and Ernest Forbes. Highlights include a painting titled “Leeds Canal” by Charles Ginner, which is of local interest. Other highlights include exhibits such as figures of prophets painted for an old chapel by John Carleton around 1636, wallpapers dating back to the 1740s, and an eighteenth-century fire engine, leather buckets, bills, maps, and documents for display.

This issue mentions the contributions of David Dunstan Schofield, a collector who took a keen interest in developing Temple Newsam as a museum and bequeathed part of his collection to enhance the house’s interior. The acquisition of a fine sofa table, dated 1809, is highlighted as a significant addition to the collection, both for its craftsmanship and historical documentation.

This issue pays tribute to the late artist Jacob Kramer and his memorial service at the Art Gallery. It discusses the redecoration of the Great Hall at Temple Newsam and the challenges faced in balancing its various ornamental elements. It features artworks like “English Boys” by Bruno Bobak and highlights cultural activities in Canada.

The issue mentions the display of English Medieval Stained Glass by John Lowe, an Arts Calendar featuring Paul Nash, and an exhibition of modern prints sponsored by the Labour Party. It discusses the comprehensive Prints exhibition at the Art Gallery, emphasising the importance of private owners and public bodies in supporting the arts in Leeds. The document also touches on the College of Art’s role in promoting prints and printing techniques. The issue addresses the development of sculpture exhibitions, including the loan of Epstein’s sculptures “Genesis” and “Adam” to the gallery.

This issue discusses the acquisition of a painting by Gaetano Gandolfi titled “Christ and the Woman taken in Adultery.” It also discusses Studley Royal, Fountains Abbey, and the grand Yorkshire estate’s landscape, described as one of the most romantic places in England.

This issue delves into the restoration and conservation of a variety of artworks, including furniture pieces. It highlights the meticulous work done by G. Garbe in restoring furniture items such as chairs, side tables, and cabinets, showcasing expertise in materials like mahogany and walnut. The document also discusses the significance of furniture in reflecting the tastes and styles of different periods, emphasising the role of furniture makers in catering to the needs of collectors. It mentions specific furniture pieces from locations like Houghton, Boynton Hall, and Ditchley, attributing them to renowned designers like William Kent and Matthias Lock.

This issue discusses the restoration and conservation of antique, oriental, and occidental works of art, highlighting the efforts of restorers in leading museums. It covers a wide range of art forms such as bronzes, ceramics, and jades. The issue mentions key figures involved in these restoration and conservation efforts.

This issue discusses various topics related to art, libraries, and cultural events in Leeds. It includes information about the Print Room and Art Library, the Leeds Arts Calendar, and the aims of the library in providing a wide range of periodicals for different types of readers. The issue also pays tribute to Lord Halifax, an influential figure in Yorkshire. Additionally, it describes a magnificent natural spectacle involving a waterfall and a rainbow, as well as the spatial design and features of the Print Room.

This issue discusses a classical landscape piece by William Taverner, created using Indian ink wash. Taverner’s collection included numerous engravings and engraved books, with a study possibly based on an existing picture or an undiscovered engraving.

Details on exhibitions held at Temple Newsam House are outlined, featuring events like the Gothic Art Exhibition, Masterpieces of Czech Art, and the David Cox Centenary Exhibition. These exhibitions showcase diverse art from different countries and eras.

This issue provides insights into various topics related to art and acquisitions. A notable purchase was a silver porringer and stand from 1661, reflecting the taste of the Restoration period. Georges Seurat’s Art: Seurat’s art principles focused on ‘purity’ and ‘vibrancy,’ achieved through colour associations is discussed. Farnley Hall: The sense of continuous family ownership at Farnley Hall, with minimal modernisation over the years, is highlighted. Artwork “La Route Pontoise”: An oil painting on canvas by Paul Signac, purchased in 1948, is briefly mentioned.

This issue contains information about various topics such as art exhibitions, sculpture displays, historical ruins, and the preservation of cultural heritage. There are references to the psychological impact of sculptures and the precautions taken to protect exhibits during outdoor exhibitions. The issue also discusses the destruction of monasteries and the preservation of monastic ruins in England. Additionally, it touches upon the restoration and redecoration of exhibition spaces to create a suitable setting for art displays.